// Fonts: ligatures

29 05 2010

I’ll keep this brief, but I’ve been baffled recently when working on a logo development project (freelance) as to just how many typefaces don’t include a simple ‘fi’ ligature.

I’ve mentioned in the past just how enamoured I am with typographic ligatures, but these are mostly the discretionary ones such as the c/k and s/t shown on the Calluna sample, which I appreciate aren’t integrated into every typeface in existance.

They make those letter combinations simply beautiful, but those combinations also work fine as they are; to me, the f/i combination sans-ligature looks somewhat unsightly, not to mention awkward.

Image credit: Daniel Ullrich


// Top 10 fonts of 2009

7 01 2010

Those who know me will be aware that Calluna is way up there in my [proverbial] list of ‘favourite fonts ever’. Now, I don’t actually have a list, but if I did I think that Calluna would be sitting proudly in either 1st or 2nd. I’m obviously not the only one who noticed it; it was selected as one of the My Fonts Top 10 fonts of 2009, an rightly so!

Designed by Jos Buivenga from The Netherlands, Calluna was crowned most successful serif text font of the year. Calluna was initially a by-product of the design process leading up to Buivenga’s popular Museo typeface. While trying out different serif shapes, the designer chanced upon the possibility of giving his font “slab-serifs with a direction.” Instead of using the resulting asymmetrical serifs for a new Museo version, Buivenga incorporated the concept in a completely new typeface. Calluna was the designer’s first serifed text family — a robust, clean and contemporary face with interesting details and a forward flow. Its recent use as a book typeface has demonstrated that it works perfectly even at small point sizes; thanks to its striking details it also acts as a display typeface font with personality.

Despite the fact I’m not always a fan of serif typefaces, I love the overall look of this one, not to mention the beautiful ligatures (both standard and discretionary) — a topic I intend to dedicate an entire blog post to at some stage.

The other top nine were Champion Script Pro, Geogrotesque, Liza Pro, Memoriam, Alright Sans, Ivory, Narziss, We Love Nature & Aphrodite Slim Pro. To be honest with you, none of these jump out at me the way Calluna does, and though they have their own merits, Calluna has landed a number one spot for me.

Information source: My Fonts January 2010 newsletter.

// Ampersand accessories

25 08 2009

As I was saying yesterday about constantly getting caught up in the cycle of clicking into things and getting distracted, well it’s happened again today. Who knew you could lose hours of your life just by browsing the internet?

There’s a whole host of ampersand objects available, and I just can’t stop looking at those delectable curves and flourishes. I’ve found far too many things that I want to share to fit in one blog, so this one is dedicated solely to ampersand accessories (of which there are plenty – believe me)!

Let me know which your favourites are from the items I’ve posted, and if you know of any other ampersand accessories that should’ve made the list, I want to see them!

1. By Isette, sold on Etsy // 2. From a selection at Berdene.com // 3. From a selection at Berdene.com // 4. By Priscilla Carpenter, sold on Etsy // 5. From Veer // 6. By Isette, sold on Etsy // 7. By Isette, sold on Etsy // 8. By kristi222, sold on Etsy

// The Ampersand

24 08 2009

The ampersand is a ligature, which combines e and t to form the Latin et, which means and. The array of typographic designs for the ampersand are wildly varied, but in most of them, you can still make out the ‘e’ and the ‘t’ characters.

I’ve just spent the last couple of hours trawling the internet. Looking at one image, browsing through the blog it’s been posted on. Seeing a few more images I like. Searching for others and beginning the cycle once more…One of my favourite finds this evening is this. I think one day, when time allows (that’s right, even when not working I never feel as though I have enough hours in the day), I’d like to try my hand at creating something along the same lines.

Whilst perusing various websites, I realised just how many ampersand objects there are. So many in fact, that I could (and probably will) write a blog entry solely about them.

Do I have you running for the hills yet readers? A mid-twenties girl who seems pretty normal, but is actually obsessed with ampersands and pretty typography.

Don’t worry – I’m not even close to being finished discussing my favourite typographic character ;)

// Ecclestone & Miller

23 08 2009

Speculative logo design work created (whilst employed at a Leeds studio) for regional cleaning company Ecclestone & Miller. The colours I opted to use are complementary, providing a strong, vibrant contrast throughout the brand, and all four logos featured a prominent ampersand. The one featured here is by far my favourite of the set.

It’s possible that I’ll blog about ampersands in the future, as I find them such a fascinating letter form, and only discovered today that the ‘&’ is often regarded as the 27th letter of the alphabet.

// Helvetica

18 04 2009

I can’t say I’m one of those designers who relies upon Helvetica for all design work, in fact, I used to see it so frequently throughout university that I actually came to dislike it (through no fault of its own). It’s no secret that my heart currently lies with Swis 721 (thin & light in particular) ♥

However, I recently came across Helvetica when font-browsing on my work computer and I realised that actually, I do quite like it! To the extent that I opted for a new desktop image:

I also came across a really interesting article the other day, when perusing webdesignerdepot.com. I’m not actually a web designer, but the website also features a multitude of general design related things which makes for interesting reading. The article I’m referring to is ’40 Excellent Logos Created with Helvetica’.

My favourites out of the selection provided are Tupperware, Skype and The North Face. They’re all simple, yet effective, and obviously they are all well known, well established brands. Which are your favourites?

// Manhattan

25 10 2008

Those who know me well know that I have a burning desire to a) go back to New York and b) to live there one day. I’m determined to fulfil one, if not both, of those wishes, or have put the latter in action by the time I’m thirty.

Until the time comes for me to return to my city of dreams, I wanted to share what I regard as a fantastic piece of design work, based upon New York, specifically Manhattan:

This original image was found on WeHeartIt, but unfortunately it’s original source wasn’t stated (any further than Design*Sponge where I found this entry). However, a bit of further digging lead me to believe it part of this series, though it is no longer listed as a colour option on the website.

If anyone can shed any light on whether it still exists I’ll be eternally grateful as I would love to purchase this, but none of the current colour options appeal to me as much as this version.